Archive for the ‘Ideological Subtext’ Category

Much feature news in the business pages of the newspaper are really little PR packages for products or services.

Tuesday, August 24th, 2010

Yesterday I analyzed an article by Ron Lieber in the Saturday “Business Day” section of the New York Times. I want to take a broader look at the entire section today, because it exemplifies what has been the norm in business feature reporting for decades.

The business section of virtually all American newspapers and news magazines has always sprinkled consumer finance features into true business news like recalls, market movements, mergers and economic reports.  These consumer finance features seem to always focus on solving a problem or addressing a trend.  But in fact at the heart of all of them is the selling of a product or service.

Let’s take a look at the consumer finance features in Saturday’s New York Times:

  • We’ve already spoken of the Lieber article, which isn’t selling you on any product, except the subtle hint that your journey to love begins by buying an on-line ad.  The Lieber article instead, sells you on the concept that buying things is the essence of any relationship.
  • “The Bean, the Pod and the Battle” sells us on buying the environmental disaster that is the home pod system for brewing espresso.
  • “A Buying Guide for the Cheap” sells us on using an on-line shopping service.
  • “Sizing up FreshDirect” sells us on buying food through an on-line supermarket.
  • “As Private Tutoring Booms, Parents Look at the Returns” sells us on the need to get a private tutor if we want our kids to do well on the SATs and get into a good school.
  • “Birth Control Doesn’t Have to Mean the Pill” sells us on intrauterine devices (I.U.D.) for birth control.

In all these articles, the writers advocate the ideology of consumerism in subtext and asides, typically with unproven assertions such as “a product that has become a must-have among the chic urbanites,” “Some physician practices are not very familiar with longer-lasting, more expensive methods…” and “since money is still no object when it comes to their children.”  The implication always is that money will buy what you want and what you want can only be bought.

The New York Times is far from alone in filling its pages with features that do little more than sell products and services.  Selling goods and services is the primary function of most news media and serves as the core topic for most feature stories in business, lifestyle, entertainment, health and other non-hard news sections of newspapers, broadcast news, consumer and business magazines, e-zines and news websites. 

Day after day, news and entertainment media make unstated assumptions which define the American ideology.

Wednesday, August 11th, 2010

Of the several definitions of ideology in Merriam-Webster’s Unabridged Dictionary, one is relevant to a discussion of communications and propaganda: “a manner or the content of thinking characteristic of an individual, group, or culture.”

What I call the ideological subtext of communications, be it in a TV ad, a news article, a billboard, a website or a movie, are the unspoken “content of thinking” assumed to be true in these media.  We can also call them the basic beliefs and values that the mainstream media share and advocate.  These assumptions color the selection of details of virtually all the media that we experience.  They are hammered into us from childhood to the point of brainwashing.

Over my first year of blogging, I have uncovered eight ideological principles that writers, advertisers and other “media workers” want us to take for granted.  Often asserting one or more of these tenets is the true purpose of a story; for example, all those articles a few months ago advocating that people with money walk away from underwater mortgages were really thinly veiled attempts to uphold several of these core assumptions.

I’m not pretending that these eight core tenets represent the entire American ideology.  These are just the ones that I have discovered time and again in the news and entertainment media and have discussed at length in my blog entries over the past year.  If anyone knows some others, please send them along to me, either as a response to the blog or to the OpEdge page on Facebook.

And just in case it does not go without saying, I want to be clear that I in fact disagree with all of these core tenets, which may be the reason I have identified them so easily.

Eight Core Tenets of the American Ideology:

  1. The market solution is always good, whereas solutions to social problems involving the government are always bad.
  2. The best solution always is acting selfishly in one’s own best interest, whether it’s telling your kids to pay for their own college or walking away from a mortgage when you can make the payments; often called “the politics of selfishness.”
  3. The commercial transaction, that is, buying something, is the basis of all relationships, celebrations, manifestations of love, respect or all other emotional states, and every other emotional component of life.
  4. All values reduce to money—if it makes money it’s good and the only measure of value is how much money you have or earn.
  5. Learning and school are bad and all intellectual activity is to be despised or mocked.
  6. The most admirable people and most worthy of emulation are celebrities, especially movie, Internet and television entertainers.
  7. Suburbs are good and cities are bad.
  8. As a nation, we need the guidance of experts before making virtually all decisions, but only those experts whose advice is always the same: to buy something.

The fact that most of these core tenets have to do with money probably results from the source material: the news and entertainment media which to a large degree have dedicated themselves to selling the products and services of their advertisers and sponsors.

It looks as if this review of my first year of blogging has turned into a four-parter.  Tomorrow I’ll talk about some trends in the news I identified over the past year and Friday wrap up with a statement of my own political and social agenda.

Parade reveals what July 4th means to its publishers: an opportunity to promote mindless celebrity culture.

Tuesday, July 6th, 2010

There’s no question that Parade, the largest circulation publication in the United States, is going to put July 4th front and center in an issue stuffed into newspapers for Independence Day delivery and use it as a platform for mouthing the most depoliticized platitudes about honoring our country.

But what Parade did this year is quite surprising, because its coverage of the country’s birth by declaration is so devoid of traditional patriotic and militaristic homilies that it transforms the holiday into a mere summer diversion.

The cover and three of the four articles in the issue dated July 4th are about Independence Day.  The cover features two pre-teen girls dressed in the kind of flag costumes and body paint that would have had right-wingers yelling ”damn commie hippy” back in the 60’s when I was their age.  The three articles are 1) a story about a town that has had an Independence Day parade since 1785; 2) an encomium to safe fireworks; and 3) a page of blurbs by famous people on “What July 4th Means to Me….”  The point of the other long article in the issue is to glorify immigrants who came from Ireland in an earlier age. 

Notice that in the July 4th features there is nothing substantive on our founders, nothing on sacrifice for country, shared values, the long road to freedom that started in 1776 and is ongoing, or even the current arguments about the relevancy of the ideas of the late 17th century to today’s post-Industrial society.  

I want to pay particular attention to the article titled “What July 4th Means to Me…” The secondary headline limits what the celebrities say to “Celebrities share their favorite holiday memories.”

And that’s just about all they do:  Seven actors, all of whom have their photo showing and an imageless Buzz Aldrin (second human to walk on the moon) tell us what they used to do on July 4th as kids.  All but three give nothing but memories of a celebration that could be for any summer holiday, or even just a summer family picnic.  The five whose published statements make it seem as if they believe July 4th is just that three-day holiday that kicks off the sunshine season include four actors in faddish hot entertainments directed at teens and young adults, two from “The Twilight Saga,” one from “Glee” and one from “Gossip Girl;” the other is the aging actress Doris Roberts who has played supporting roles in situation comedies for decades.

The three celebrities who in their memories provide at least some comment on what the holiday means beyond “fun in the sun” represent left, center and right political views, but in ways that either conceal the opinion or drain it of all controversy.  Interestingly enough, the three tepid views are presented in a diagonal, from lower right for the “right-wing” view to upper left for the “left-wing” view, with the centrist in the middle:

  • Buzz Aldrin (lower right), astronaut, ends his memory of fireworks with “Our country is a guardian of liberty and freedom,” a vaguely militaristic and slightly right-wing statement because it is one of the excuses we always use when going to war, even a war over resources or geopolitical maneuvering.
  • Jimmy Smits (center), actor, mentions that “Dad and mom were very mindful of passing down the fact that coming to this country was an opportunity…”  It’s certainly a pro-immigration statement, but like the story on discovering Irish roots, non-threatening since Jimmy’s family comes from Puerto Rico, a long-time U.S. possession whose residents are considered citizens.  Virtually everyone living in the United States is the descendant of immigrants, and I think the centrist view is that’s okay, as long as your family has been here awhile.
  • Josh Brolin (upper left), actor, references A People’s History of the United States, lefty Howard Zinn’s wonderful history of the U.S. from the perspective or the poor, minorities and women. “It made me feel a sense of patriotism…” Brolin gushes.  Well done, Josh, to bring this important historian’s most accessible work to the millions who peruse Parade.  It is the only moment of real content in Parade’s coverage of the 4th.  As a statement from the left, however, it is as innocuous and as easy-to-miss as what Smits and Aldrin said, so plays into one of the ideological messages in the subtext.

What then does Parade communicate in the ideological subtext of this article and its broader coverage of the 2010 version of its July 4th coverage?  Two ideas, I think:

One of Parade’s hidden messages is that the only truly newsworthy celebrities are (white) actors.  It’s amazing that not even an athlete or pop musician makes the list, although I imagine that Kevin McHale of “Glee” does something musical.  What if instead of all these actors, the celebrity list included one or two elected officials (or the first lady or even Michelle’s mom), a scientist or two, a chief executive officer of a technology company, a classical or jazz musician and a popular literary writer such as Don DeLillo or Michael Chabon?  Maybe even add an unknown like someone who just won a “teacher of the year” award.  The selection of experts to use is one of the most important ideologically-tinged decisions that any writer or editor makes.  Parade could have made the statement that great novelists, scientists, economists and elected officials are celebrities to revere and follow.  Instead it chose to state that only the opinions of mass culture actors are important.

Parade’s second hidden message is that the current purpose of the July 4th holiday is neither to commemorate, celebrate nor debate shared values, but to have a good time at a barbecue and see a parade and some cool fireworks.  We have no way of knowing everything the celebrities said to Parade’s writer(s); the only statements that make the story describe the fun that was had by all.  

None of the articles focus on things you can buy on and for the holiday, so Parade doesn’t wallow explicitly in mindless consumption.  But its message nevertheless supports the mindless consumer culture by focusing on hedonistic fun that somehow gains undefined higher meaning because it occurs collectively in the family or community.  All meaning is once again embodied entirely in the hedonistic fun—in other words, in consumption and consumption alone.    

In the past, Parade has taken the patriotic or issues route in its celebration of Independence Day.  For example, I remember one cover from more than 10 years ago in which then-First Lady Hillary Clinton earnestly and proudly saluted a flag with two fine upstanding white young people.  That this year’s coverage is so devoid of real content only reflects the current news media trend towards triviality and away from serving as a forum for discussing issues or increasing knowledge.  Someone might argue that at least there isn’t any war-mongering or militaristic propaganda, but in a real sense, all Parade has done has been to replace one set of myths and manipulations with another.

National Peanut Board uses the solipsistic Reagan ideology to sell peanuts to New York City subway riders.

Monday, April 19th, 2010

While in Manhattan for two weeks on a working vacation, I’ve been taking advantage of the greatest mass transit system in the United States, the New York City subway—dingy with age, but clean, inexpensive, extremely safe and it gets you where you want to go faster than any alternative transportation option in the city.

This past weekend in a train on the East Side, I saw a fascinating billboard that exemplifies how Reagan’s politics of selfishness has completely imbued much of our public discourse.

The billboard, from the National Peanut Board, has as its theme line and branding message, “Get the energy” or “Have the energy.”  Here is how the National Peanut Board describes itself on its website: The National Peanut Board represents all USA peanut farmers and their families. Through research and marketing initiatives the Board is finding new ways to enhance production and increase consumer demand by promoting the great taste, nutrition and culinary versatility of USA-grown peanuts.

The National Peanut Board is obviously trying to say that peanuts are an “energy” food, and on one level may play off the current fad for energy drinks.  (But remember this: peanuts are good; energy drinks should be avoided at all costs!).  On the website , we learn that the slogan for the national campaign is “Energy for the Good Life.”

This particular ad has a large headline that read: “Energy to spend time with someone who will listen to you.”

And what image does the peanut board use to exemplify this message?  It’s a photo of a man with his dog on a hill overlooking a beautiful view.

There are two ways to interpret this collision of words with imagery, and both convey a solipsistic message that I believe is a variation of the Reaganistic ideology that tells us the world is a better place if every seeks his or her self-interest and that we should look for private solutions to address problems.  Solipsism, by the way, is the philosophy that the world begins and ends with the self, or, put another way, that the only thing any one can be sure really exists is one’s own mind.

 Here are my two interpretations of the imagery:

  • Your dog is the only person who really listens to you
  • God, represented by nature as it often has been in painting and literature through the centuries, is the only one who really listens to you. 

I think it’s easy to see that if your dog is the only one who listens to you, then you’re living in a society in which all humans care only about themselves and act only in their own self interest, to the exclusion of all other family or social concerns; in other words, Reaganism taken to its extreme.  The dog is cute, but the internal logic of the ad is brutal: No one listens to you; no one cares about you; you’re in this world by yourself; you might as well just act in your own self-interest, because no one else is going to help you and you shouldn’t help anyone else. 

Even if the Peanut Board is subtly trying to make a religious message, the analysis remains the same.  The god in the ad, if there is one, is not one that provides moral guidance, nor one that exemplifies service to others.  No, what this god does is listen to you.  You get to talk to this god and tell him what’s on your mind (that is, of course, if you have eaten enough peanuts to have the energy to talk!).

I wonder if the Peanut Board realizes that the ideological message underlying its attempt to sell peanuts is that no one should care about anyone else, since no one else ever listens.

In Stouffer’s post-modern America, you don’t eat because you’re hungry, but to have a relationship with your spouse.

Thursday, April 8th, 2010

My entry into frozen food giant Stouffer’s “Let’s Fix Dinner” marketing campaign came via a two-page, full-color ad in  AARP Magazine, the bimonthly slick lifestyle magazine of the American Association of Retired People, which claims to have the largest circulation of any magazine in the entire world.  So before taking a look at why “Let’s Fix Dinner” is a  prime example of the commercialization of relationships in contemporary society, I want to first describe the ad, which is the sizzle to the sizzle, that is, the whistle-buzzer that makes us notice the twisted messaging that is supposed to entice us to buy the product.

The right page of this two-page ad is a sexy pose of an overweight couple in their 40s, fully dressed in front of an abstract aquamarine background, but looking like they’re about to take off their clothes and do it, except she’s wearing an oven mitt.  The “VH1 pop-up video” style headline is “Are oven mitts the key to a successful relationship?” followed by a smaller headline in another typeface and different pop-up balloon, “Dinner is a great time for couples to reconnect, and catch up with each other face to face.”  At the bottom of the page is a short paragraph that starts “Amazing the difference a real meal can make,” then proceeds to sell Stouffer’s frozen “Mac & Cheese.”  The most striking thing about the ad is the carnality in the expressions of these two truly chunky people.

In the left hand ad, Stouffer’s takes a more conventional approach to advertising prepared food:  It’s a very copy-heavy ad with a photo in the top third of another middle-aged couple—very fit, light-skinned African-Americans—in the kitchen embracing while she handles a pair of tongs.  The rest of the ad is brimming with words, including four paragraphs about the four steps to connecting with your partner.  Here are the headlines for each step:

  1. Slow down to reconnect
  2. Make conversation
  3. Keep it simple, sweetheart
  4. Join the Stouffer’s challenge

“Keep it simple,” of course, means buy Stouffer’s “solutions for delicious, nutritious meals without the fuss.”  The challenge is to make a personal commitment to have dinner with your spouse more often.  For help in meeting this commitment, Stouffer’s sends you to www.letsfixdinner.com.  This left-side full-page ad also crowds in small photos of the frozen lasagna and the ever-popular, ever-chic macaroni & cheese.  As the ad says, “Add a little candlelight and you’ve got a romantic meal for two.”

While the two-page ad focuses on the romantic needs of the empty-nester, the website really is for families with children.  It is a very infotaining website, i.e., it mixes information and entertainment in a light-hearted, happy kind of way.  Among the whistles and buzzers are pages of factoids; features on real families in a kind of “reality” webcasting; a survey to take; and of course product information.  There is also a page to sign-up for the Stouffer’s “Let’s Fix Dinner” Challenge.  Once you’re signed up, you get points and entries into a sweepstakes every time you record another dinner that the entire family had together.  Last time I was on the website, it stated on the homepage that people in the challenge have reported making 98,974 family dinners.

The home page is very easy on the eyes:  the centerpiece is a rotating wide-screen box that consists of a happy image of a family or family member and three pop-up balloons, in which there are three pieces of highly structured copy, as we will see in this example:

  • Balloon #1/A provocative statement: “Can placemats keep your kids off drugs?”
  • Balloon #2/A factoid: “Studies show that teens in families that have dinner together five times a week are 45% less likely to drink and 66% less likely to take drugs.”
  • Balloon #3/A squib of real-life conversation from one of the “real” families featured on the website: “‘Okay, I’m resolving to clear all my stuff off the dining room table so we can actually use it!’  Sarah, San Diego, CA”

There are five of these billboards that rotate onto the home page, one after the other. Four of them focus on families with children.  The empty nester one features a photo of the chubby but horny couple from the AARP Magazine ad.

Stouffer’s and its advertising mavens and mavessess put a lot of work into creating a marketing campaign and website in which every detail down to the last factoid and image focuses on making the message.

And what’s the message?  That Stouffer’s frozen dinners are delicious? No.

That Stouffer’s meals are nutritious? No. 

That these food products can contribute to a healthy weight-loss program? No. 

That Stouffer’s gives you a way to feed a family cheaply? Again, no.

That Stouffer’s is a fast way to chow down? Not exactly.

No, in fact, the central message is not about food at all.  It’s about the benefits of the family eating dinner together (something that my always busy family did about six nights a week, both when I was a child and a father).  The way that Stouffer’s facilitates this togetherness is pretty much unexplained.  It’s taken for granted that the post-modern 21st century consumer knows the product-related benefits of frozen dinners, (which in the old days used to be called TV dinners because they were used to bring the family together for the Ed Sullivan  and Dinah Shore shows).

Once again, the U.S. people face an urgent social problem, or in this case a knot of related social problems that include the transmission of basic middle class values, school performance, teenaged substance abuse and conjugal sex.  And once again, U.S. industry and commerce come up with an answer. 

And it’s always the same answer: Buy something.

Beneath Stouffer’s sophisticated attempt to attach the values of family life and interfamilial relationships to its frozen dinners is the basic ideological subtext that a commercial transaction will solve your problem, whatever it is.  And it’s so simple!  You don’t have to spend any time together chopping meat or sautéing vegetables.  No need to even boil water.  Just pop it in the microwave and serve, with candles or hip-hop music or maybe both.   

And therein lies the significance of featuring macaroni and cheese so prominently.  Mac & cheese represents the epitome of comfort food that makes us feel nice and warm inside about family life.  It is also about the easiest meal there is to make from scratch.   But it does require boiling water, chopping cheese and measuring out some milk.  And those things can be great distractions when you’re trying to work on a family relationship.  But Stouffer’s makes it even easier than making mac & cheese from scratch.  All you do is pop it in the microwave.  And now you’ve got food preparation out of the way, that’s the hard part.  The rest of building strong family relationships will be easy, because you’ve done all the hard work already – you’ve bought something.   

Target misses the target with a traumatic holiday ad.

Monday, December 14th, 2009

Target is a very savvy marketing company, and like all large marketers, it conducts a lot of consumer research and pretests all its commercials.

Yet after all of that, Target has come up with what I think is a very negative TV ad, one in which they get connected to a traumatic moment in the life of a dysfunctional family.   

Here’s a précis of the ad (and I may have some of the words in quotes wrong, but not the thoughts of those quotes nor the underlying emotional tenor):  Mom, Dad and Daughter are around the Christmas tree and Mom unwraps a large flat-screen TV.  Dad says something like, “I though Santa was watching his pennies this year” through clenched teeth to which Mom answers, again with clenching of teeth, “Santa thought we could afford it.”  Back and forth it goes, each time a tad more hostility in the voices, back and forth between Mom and Dad, with a shot of Daughter listening, a little terrified.  The last shot is of Mom, an odd mixture of happiness and terror on her face, saying, “But what if Santa got a good deal.”  Then the screen cuts to the Target logo.

The cut to Target is ambivalent, meaning it could signify two things.  But both are bad for Target, as follows:

  • Either the ad is saying, avoid this tense scene about money by buying at Target.

OR

  • Target has turned this mom into a heroine (but the heroine is near tears and the family seems to be falling apart right underneath the Christmas tree).

Christmas is an aspirational holiday.  We aspire to show our loved ones that we love them, which in the United States means buying them something that they really like.  There is nothing aspirational about a thinly veiled argument over money in front of the kid on Christmas morning in which both parents bandy about a symbol of childhood happiness, Santa, as if it were a symbolic rapier.  Not waiting to talk until the kids are off somewhere is certainly a sign of a dysfunctional family.  Why would Target executives think that linking to this disturbing family vignette would make people feel warm and cozy inside about buying at their stores?

Once again a reporter tells us that the best way to save money is to spend money.

Wednesday, December 9th, 2009

Featured on a number of portals and websites lately has been a Bankrate.com article by Heather Boerner on four urgent home fixes people should make before they retire.  The idea is that if you plan to stay in your home, as most people do, it’s better to make expensive one-time repairs such as replacing the plumbing or the roof while you’re still working. 

It sounds like a sensible suggestion.  A major repair typically costs more in an emergency situation, e.g., when the roof starts to leak, and any major expense will play havoc with those on a fixed-income. 

But underneath the good advice, the ideological subtext still exhorts the reader to buy, buy, buy!, because it is by spending more now that you obtain the “control you will have over your life” that the article promises.  Once again, the answer to your problems is to buy something. 

As a stand-alone advice feature, the article is just fine.  But the daily accumulation of advice articles, virtually all of which are veiled shills for the purchase of a product or service, creates the sense in readers that it is only through engaging in a commercial transaction that all problems are solved and all needs satisfied; and that it is only in the context of commercial transactions that all interpersonal relations take place. 

Walmart commercials are becoming the new reality TV

Friday, December 4th, 2009

I saw another new Walmart commercial that seems to be based on the new realities of the great recession and the 21st century family. 

In this one, the announcer says that it costs $45 on average to take a family (of four?) out to dinner.  Instead, the announcer suggests, with that Walmart mix of aggressive friendliness and friendly expertise, that mother (since it is a woman in the commercial) uses Birdseye frozen foods as the basis of a home-cooked meal once a month!!  The narrator concludes by triumphantly announcing that you’ll save $345 a year (the difference between the home-cooked meal and eating out times 12, I assume).

The Walmart message seems to have changed quite recently from the long-time exclamation to be happy because what you’re buying is cheap to a more nuanced plea: Walmart can help you deal with your family’s challenges.  The “you” is a woman, as there has yet to be a man shown in the two new commercials I have thus far seen.  (For an analysis of the other one, on Christmas without dad, see my November 25 blog).

But let’s peel away the explicit message, “we’ll help you save money while feeding your family” and see the underlying subtextual conversation.  I call it a conversation because Walmart is not trying to sell something.  Instead, it is responding to a reality, and in this case, the reality is the large extent to which U.S. families, especially in the middle class, eat meals out.  The storyline—once a month you cook in instead of eating out—reflects the trend of eating more meals away from home.  The average American now eats away from home six times a week.  Although the NPD Group reported in July that restaurant trips in 2009 are down almost 3% over 2008, Americans still spend 50% of their food dollars in restaurants and on average, eat out six times a week.

I’m going to end with an archetype, which is a kind of argument by anecdote.  The archetype is a generalized version of a group of people who share a number of characteristics, e.g., “he’s an archetypal first baseman—slow with power in his bat and a weak arm.” The classic archetype in politics over the past 40 years was Reagan’s “Welfare Queens.”  

The archetype I am imagining is a middle-class family in which both mother and father have professional jobs or a single mother is working and making a very good living, let’s call it six-figures in income in either case.  I have known a lot of families that fit this description and have the following weekly dinner menu: pizza one night; McDonald’s or Wendy’s on another night; some family style restaurant a third night—could be Eat ‘n Park, Denny’s or even Olive Garden.  Then there’s take-out Chinese.  We still haven’t gotten to mom and dad having a night out alone at Chez Fourstar.  Just as the subtext of one of the Walmart commercials is an appeal to the single mother, so is this one that mentions Birdseye meant to appeal to families that eat out all the time.  Otherwise, why the stress on not eating out once a month?

In its subtext, Walmart has begun, I believe for the very first time, to segment the marketplace and try to appeal to specific subgroups that have special concerns and needs.  That makes the new commercials a form of reality TV.

White people do it so it must be okay.

Tuesday, December 1st, 2009

In its lead story on the front page this past Sunday, The New York Times continues its recent policy of injecting old-fashioned racial attitudes into the continuing discussion of the struggles many face in the current recession.  And again, the Times does it with photographs. 

The article, co-written by Jason DeParle and Robert Gebeloff, details how and why food stamp usage has soared in the U.S., with one in eight adults and one in four children now part of the program.  The premise of the article is that the stigma has faded concerning food stamps, which it backs up with many charts and interviews in an article that runs to one and one quarter full newspaper pages.  The authors propose that once food stamps were scorned as a failed welfare program by Americans, but now people are accepting its necessity. 

The article uses six case histories, all of white persons or families.  There are three photos in the print edition, all of whites.  There is also a slide show of 17 photos on the Times website.  Sixteen of these photos are of whites only or of their possessions, and all the whites in all these photos are named.  The one photo that has African-Americans or obviously Hispanic people in it is a shot of nameless people on line to buy food at a store (with no statement that any of these people actually take food stamps!).  Included among the 17 photos in the online slideshow are one of the empty fish tank of one white family on food stamps and a shot of a white (Christian) cross in the garden of another.

The subtextual message of course is that food stamps are okay when whites get them.  This racist expression reflects a more virulent variant that has served as the American attitude towards all welfare programs throughout our history: the programs are okay when only whites get them, but are no longer okay once blacks start taking advantage. 

Remember that the lead story on the front page of any Sunday Times will end up on the front page of hundreds of newspapers across the country that take the Times distribution service, so the words, images and subtext of what the Times prints quickly become part of the nation’s consciousness and inform the national dialog on issues. 

In recent months I have written three times on the Times’ use of photographs to subtly draw racial distinctions that reflect old prejudices, i.e. only blacks and Hispanics get welfare (August 10, 2009 and September 2, 2009) and only whites are among the highly skilled professionals who can’t find a job in the recession (August 10, 2009).  At the time I wondered if it was sloppy reporting, i.e., using one case history because you don’t have time to get any others.  Now I’m convinced that it’s part of the current New York Times ideology.

All the news that’s fit to distort. NY Times “Week in Review” section is a textbook in propaganda techniques.

Monday, November 30th, 2009

The subtext of the entirety of the “Week in Review” section in yesterday’s Sunday New York Times was decidedly right-wing, especially when it comes to social/value issues.  The section was, in fact, a textbook in advanced propaganda techniques, to whit:

Ideological subtext through photographs:  On page 2 of every “Week in Review” is a montage of five photos with short, snappy headlines across the top of the page, each with extended captions; the captions always take the same structure – a short paragraph beginning with “The News” in bold followed by another short paragraph beginning with “Behind the News.”  Here are the five headlines with photos yesterday; in each case the text below the photo is triumphant in tone, except the last one:

  1. Mulling a Run: Lou Dobbs may be running for Senate
  2. Selling Books: Sarah Palin signing
  3. Testing Fealty: Conservative Republicans proposing a 10-point “purity” pledge for candidates
  4. Marshalling Forces: Glenn Beck announcing he’s sponsoring voter drives
  5. Backing Away: New Jersey Dems fail to schedule a vote for same-sex marriage, even though they have the votes to pass. The tone of the text below this photo is defeatist.

In the world of film, this succession of photos is called a “Cause-Effect” montage:  the juxtaposition of images creates a greater meaning beyond each image and that greater meaning, the ideological subtext, is that the first four images caused the fifth.  In this case, the Times is creating a meta-statement that right-wing/conservative activity has left/liberals on the run.  But is it really true? 

Argument by anecdote: The page 1 lead story in the section uses a series of anecdotes and conjectures to assert that the younger generations of feminists don’t care as much about the abortion issue as their mothers did because they have lived all their lives under Roe v. Wade and take it for granted.  For this reason, writer Sheryl Gay Stolberg wonders if the coalition building against the Stupak amendment will succeed.  Of course the only studies she shares show that there is no difference (nor has there been for 20 years) in attitudes about abortion between those over and under 30 years of age.  Her argument is based on conjecture and a handful of anecdotal quotes.

Labeling: In Louis Uchitelle’s story of why there are a lack of big projects like the Erie Canal or the Big Dig in the U.S. right now, he writes, “Mr. Obama’s Great Recession, by contrast, has been a milder affair… (than Roosevelt’s Depression).”  Since when did it become Obama’s recession, except in the empty rhetoric of his political enemies?  Uchitelle suddenly forgets eight Bush years of easy credit, little regulation of the financial markets and massive wartime spending, plus the Bush failure to heed the many warning signs that the economy was overextended and markets were overheated.

Wedging: Wedging is when you focus on the one area of common ground that you have with a group of people to make theme recognize the views of someone whose other views would be much more controversial.  Ignoring a myriad of other Op/Ed submissions on a variety of important topics, the Times chose to run a piece by Kenneth J. Wolfe, described as someone who “writes frequently for traditionalist Roman Catholic publications.”  But Wolfe is not writing on same-sex marriage, stem cell research, abortion, birth control or any of those issues that fiercely divide Catholics (and others).  No, “Kenny Choirboy” is advocating a return to the Catholic Mass.  The fact that “Kenny Choirboy” uses the relatively innocuous language issue as a wedge is clear in his last paragraph, in which he subtly ties a return to Latin mass to Pope Benedict’s broader ideological program. 

“At the beginning of this decade, Benedict (then Cardinal Joseph Ratzinger) wrote: ‘The turning of the priest toward the people has turned the community into a self-enclosed circle.  In its outward form, it no longer opens out on what lies ahead and above, but is closed in on itself.’  He was right: 40 years of the new Mass have brought chaos and banality into the most visible and outward sign of the church.  Benedict XVI wants a return to order and meaning.  So, it seems, does the next generation of Catholics.”