{"id":14,"date":"2011-10-18T08:16:17","date_gmt":"2011-10-18T12:16:17","guid":{"rendered":"http:\/\/www.jampole.com\/OpEdgy\/?p=14"},"modified":"2011-10-18T08:16:17","modified_gmt":"2011-10-18T12:16:17","slug":"opedgys-franko-to-speak-at-cooper-union","status":"publish","type":"post","link":"https:\/\/www.jampole.com\/OpEdgy\/?p=14","title":{"rendered":"OpEdgy&#8217;s Franko to speak at Cooper Union"},"content":{"rendered":"<p style=\"text-align: left;\">I&#8217;m going to be speaking at the Rose Auditorium at Cooper Union School of Art on\u00a0October 20\u00a0at 6:00 pm.\u00a0 <a href=\"http:\/\/cuids.org\/lecture\/archaeological_choreographic_practices_forsythe_with_and_against_foucault\/\" target=\"_blank\">Here are the details:<\/a><\/p>\n<p style=\"text-align: left;\">Although Michel Foucault never wrote of dance as an example of a bodily discipline in the classical age, he did affect the art of contemporary ballet through his influence on the work of choreographer William Forsythe. This talk interprets Foucault\u2019s influence on Forsythe up until the early 1990s and also examines how Forsythe\u2019s choreography \u2018responded\u2019 to issues of agency, inscription and discipline that characterize Foucault\u2019s thought on corporeality. Ultimately, it asks whether Forsythe\u2019s use of Foucauldian theory leads to a reinterpretation of inscription in Foucault.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m going to be speaking at the Rose Auditorium at Cooper Union School of Art on\u00a0October 20\u00a0at 6:00 pm.\u00a0 Here are the details: Although Michel Foucault never wrote of dance as an example of a bodily discipline in the classical age, he did affect the art of contemporary ballet through his influence on the work [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/www.jampole.com\/OpEdgy\/?p=14\">Read More&#8230;<span class=\"screen-reader-text\"> from OpEdgy&#8217;s Franko to speak at Cooper Union<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":3,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/posts\/14\/revisions"}],"predecessor-version":[{"id":17,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=\/wp\/v2\/posts\/14\/revisions\/17"}],"wp:attachment":[{"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jampole.com\/OpEdgy\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}